Tuesday, November 01, 2005

In Memory Of - Rosa Parks


Rosa Parks, the "mother of the civil rights movement"

1913-2005


"Tired of Giving In"
Rosa Parks, 1955-56


She had been pressing slacks all day at her job. Her feet hurt and her back and shoulders ached. The first bus that came past had standing room only, so she decided to wait for the next bus in hopes of getting a seat. During her wait, she remembered why she often walked home—riding the bus took its toll on her dignity.

The segregation laws in force in 1955 in Montgomery, Alabama, seem unbelievable today, but they were a reality for thousands of blacks in the South. Take the restrictions on riding the bus, for instance. Even though the majority of bus passengers were people of color, the front four rows of seats were always reserved for white customers. It was common to see people standing in the back of the bus while the first four rows remained empty. Behind the reserved-for-whites section was a middle section where African Americans could sit if the seats were not needed by white customers. If just one white customer, however, needed a seat in this center section, all those already seated had to move.

Even getting on the bus was an elaborate process for black people. They would pay their fare in the front, exit, and then reboard the bus at the back. Rosa died a little each time she found herself face-to-face with this kind of discrimination. In fact, Rosa had once been thrown off a bus for refusing to reboard at the back door.

Finally a second bus came, and to Rosa’s joy, there were a few seats available in the middle section—“no-man’s land.” Rosa climbed the stairs, put her dime in the fare box, climbed back down the stairs, hurried to the back door of the bus, climbed up the stairs, and made it through the aisle in time to find there was still a seat available. Greatly relieved that she wouldn’t have to stand all the way home, she sat down in the row just behind the white section. What a relief to relax for a minute!

The bus picked up more riders and the front section of the bus filled up. When the driver noticed a white man standing in the aisle, he ordered four people, including Rosa, to give up their seats. At first no one moved.

The bus driver said, “You all better make it light on yourselves and give me those seats.” The other three riders did as they were told, but Rosa knew that to do so would be wrong—and she quietly refused to get up. “I’m gonna call the police,” the bus driver threatened.

“Go ahead and call them,” said Rosa. She sank back in her seat. She was tired, true—but even more, she was tired of giving in. It wasn’t just the bus. It was the “whites only” restaurants, the drinking fountains and elevators marked “Colored,” and the unspoken intimidation that were all a part of daily life in a place that did not treat all its citizens as equals. Rosa remembered, “I was tired of seeing so many men treated as boys and not called by their proper names or titles. I was tired of seeing children and women mistreated and disrespected because of the color of their skin. I was tired of legally enforced racial segregation. I thought of the pain and the years of oppression and mistreatment that my people had suffered…. Fear was the last thing I thought of that day. I put my trust in the Lord for guidance and help to endure whatever I had to face. I knew I was sitting in the right seat.”

Rosa later wrote, “I felt the presence of God on the bus and heard His quiet voice as I sat there waiting for the police to take me to the station. There were people on the bus that knew me, but no one said a word to help or encourage me. I was lonely, but I was at peace. The voice of God told me that He was at my side.”

As Rosa waited for the police to come, she thought about her life in the segregated South. Born in 1913, she had grown up on a farm with her mother, her brother, and her grandparents. They were very poor and worked hard to raise enough food to feed themselves. Rosa’s mother, a schoolteacher, taught whenever she could but also took in sewing and worked as a hairdresser. Rosa’s grandparents picked corn, peanuts, and sweet potatoes on nearby plantations—with little Rosa working alongside them. It was so common for African-American children to work all day in the fields that Rosa’s school closed three months earlier than the school for white children. And unlike the white children’s school, Rosa’s school was little more than a shack, without windows or desks and with only a few books.

Rosa was raised as a devout Christian. She grew up attending a church where her uncle served as a preacher. She recalls, “Every day before supper and before we went to services on Sundays, my grandmother would read the Bible to me, and my grandfather would pray. We even had devotions before going to pick cotton in the fields. Prayer and the Bible became a part of my everyday thoughts and beliefs. I learned to put my trust in God and to seek Him as my strength.”

Rosa remembered how, as a young girl walking through a white neighborhood in Montgomery, she was pushed from behind by a white boy. Instead of walking on, pretending nothing had happened—which was the expected behavior—Rosa turned around and pushed the boy back. His mother was shocked. “How dare you touch a white boy!”

Rosa replied, “I don’t want to be pushed by your son or anyone else,” and calmly walked away.

She had tried to work within the system. She remembered her struggles to help African-American citizens get registered to vote. She remembered the years spent working as a youth adviser for the National Association for the Advancement of Colored People (NAACP).

Remembering these things put a determination within Rosa. She had never been one to ignore acts of injustice. What was going on was not fair. Not in the eyes of man, and not in the eyes of God. It was time for action. When the police arrived, Rosa calmly asked, “Why do you push us around?”

The officer replied, “I don’t know, but the law is the law and you’re under arrest.” When the officers asked her to stand up and get off the bus, Rosa quietly obeyed. They drove her to the police station and fingerprinted her as though she were a criminal. Before they put her in a jail cell, they allowed her one phone call. She called a prominent member of the NAACP, who called a lawyer. The two bailed Rosa out of jail for one hundred dollars and suggested that Rosa appeal her case to challenge the segregationist law that had led to her arrest. Rosa’s husband and her mother had some real concerns about Rosa’s personal safety, but they all agreed that it was time to act. Rosa recalled, “As I sat in that jail cell, behind bars, I felt as if the world had forgotten me. But I felt God’s presence with me in the jail cell.”

The ministers of the city’s African-American congregations lent their support. Dr. Martin Luther King Jr., using his church’s mimeograph machine, made seven thousand leaflets encouraging African Americans to boycott the Montgomery city bus system on Monday, December 5. A community meeting that night drew an overflow crowd numbering in the thousands.

What began as a one-day boycott lasted for 381 days. Continuing the boycott was neither comfortable nor convenient: Some people walked miles to work, others rode bikes or shared rides. For more than a year—in the cold, pouring rain and in the blistering heat of summer—the black community worked together, giving their one hundred percent cooperation. They were determined to pay the price to see change. As the months went by, Rosa’s case went all the way to the U.S. Supreme Court—and Rosa won. On December 21, 1956, Rosa sat in the front row of a newly integrated city bus.

Both Rosa and her husband lost their jobs and were considered unemployable as a result of their part in the boycott. They were also harassed with phone calls, letters, verbal threats, and intimidation. The family moved to Detroit, Michigan, in 1957, and for the next eight years, they struggled financially, until Rosa was hired as a staff assistant to a U.S. congressman.

In later years, Rosa was hailed as the mother of the civil rights movement and received many awards and honors. Among them was a seventy-seventh birthday celebration in the nation’s capitol in 1990, which was attended by government dignitaries, prominent entertainers, and a host of notable African-American leaders. Here Rosa was praised for her “beautiful qualities [of] dignity and indomitable faith that with God nothing can stop us.” In 1999, President Clinton awarded Rosa the Congressional Gold Medal, the nation’s highest civilian honor.

Our country is the model for every other developing country in the world for achieving justice and equality for its citizens. Our Constitution has lasted longer than any other constitution in modern history.

We cannot take these blessings for granted. We must share these gifts from God. Whether we are thirteen or eighty-three, we must show the world that we are able to correct our mistakes—including homelessness, poor race relations, and violence—and move forward to a better society. I know that we can. This nation has always overcome the obstacles it has faced.

--Rosa Parks

I have learned that in order to bring about change, you must not be afraid to take the first step. We will fail when we fail to try. Each and every one of us can make a difference.

--Rosa Parks

Excerpted from:Under God by Toby Mac and Michael Tait (with WallBuilders)Copyright © 2004; ISBN 0764200098Published by Bethany House PublishersUsed by permission. Unauthorized duplication prohibited. http://www.undergodthebook.com/.

Saturday, October 29, 2005

Thank You

Thank you for attending this week online conference. I hope you had fun and learn a lot.

Please make sure to fill out the survey. Your opinions helps us improve the conference and offer workshops you want to attend.

If you enjoyed the conference please make a donation. Every dollar helps us to continue offering informative events.

The conference will stay online for a while, so feel free to stop by and read the posts. Tell your friends what they missed.

Congrats to the writers who manuscripts were requested during our online pitches. We thank the editors for their time.

Critiques will be emailed next week.

Check back next week to see who the winner is of the I Want The Next Page Winner.

A BIG THANK YOU to all the writers who participated or donated a prize to this conference. Without you, there would be no conference. Thank you for sharing your wisdom.

We offer the conference every other year, see you in 2007. Until then, happy writing.

See ya on the net,

LaShaunda
SORMAG online conference coordinator

Attendance Prizes

Prize Winners

Thursday Winners

Michelle Buckley

Saundra #180

Elaine #23

Bonnie #177

Diane #69

FRIDAY WINNERS

Lori Soard

Stacy H. Adams

Gena Garrison

Dara Girard

Michelle Monkou

SATURDAY WINNERS

Mary Griffith

Brenda Coulter

Monica Jackson

Jenna

Jacqualine

Pick your prize from the attendance prize list. Send your choice and mailing address to sormag@yahoo.com

7th Day - Oct 29 - PROMOTION

OCT 29 - PROMOTION

Click on the links for the rooms

PANEL: Internet Marketing For Writers

WORKSHOP: How to do a website on a budget?

PANEL: Magazine Promotion

WORKSHOP: Press Releases - Can you write one yourself?

PANEL: Is Blogging Good For Writers

SURVEY: Tell us what you thought of the conference

DONATION: Did you enjoy the conference? Make a donation help us to continue to offer great events like this. Click on button below.






DAY SIX - October 28 - THE BUSINESS OF WRITING

Below are the links to today's conference agenda.

PANEL: I got the call now what?

PANEL: Working With an Agent

WORKSHOP: Ten Steps to a Great Pitch - 1

PANEL: Tips to stay disciplined

PANEL: PR Pizzaz

WORKSHOP: How to Make The Perfect Pitch - 2

WORKSHOP - The A, B, Cs of Plotting - Michelle Monkou

The Business Of Writing - Meet The Authors

To visit other pages for this week click the

AGENDA

Did you miss a panel? Below are the links for the panels. I can’t promise they will answer but if you have a question for the panel member and missed the day of their panel. Here’s where you can ask questions.Panel members feel free to answer questions.

SUNDAY
Writing For The Lord - Meet The Authors

MONDAY
New Writers - Meet The Authors

TUESDAY
Reader’s Day - Meet The Authors

WEDNESDAY
Advance Writers - Meet The Authors

THURSDAY
Selfpublishing - Meet The Authors

Friday, October 28, 2005

PANEL: Is Blogging Good For Writers

PANEL: Shelia M. Goss, Monica Jackson, Mary Griffith, LaShaunda Hoffman, Brenda Coulter

Come learn about blogging and how its good or not good for writers.

Post your questions in the comments section.

Please read the previous comments before you post, so we don’t have duplicate questions.

Please address your questions to a panel member or all panel members.

WORKSHOP: Press Releases - Can you write one yourself?

Press Releases - Can you write one yourself?
Shelia M. Goss ©2005 All Rights Reserved.

Why would I want to write my own press release? You may be asking yourself this, especially if you hired a publicist.

There may come a time where you will need to send a press release; whether it's because you can't get a hold of your publicist, it's beyond the scope of your contract with your publicist or having a publicist might not be in your budget, etc.

What is the purpose of a press release? A press release is an announcement. It should contain specific information. For example, you may write one to announce an event (such as book signings, participation in an expo, etc.) or a major achievement (such as your book making a bestsellers list, optioned as a movie, etc.).

Writing a press release isn't hard.

What should the press release include? Make sure your press release has an eye-catching Title, contact information and include the five W's:
* Who (Identify yourself)
* What (Your announcement)

* Where (Location of the book signing or event)
* When (Date and Time) and
* Why (Because you're the next best thing to sliced bread; just kidding, but you get the point, smile).

How should the press release look? To view an example of a few press releases, please go to one of the following links:
* Title: Woman Fakes Las Vegas Wedding
http://www.sheliagoss.com/pressrelease_mih.htm
* Title: Small Press Author makes Essence Bestsellers List
http://www.sheliagoss.com/pressrelease_essence.htm

Where should I submit the press release? Press releases should be sent out to your target audience, which can include media outlets such as newspapers, TV, radio, magazines or book clubs, bookstores, etc.

Are there any online services I can use to distribute my press release? Yes, there are several. PRWeb (
http://www.prweb.com/) and BlackPR.com (http://www.blackpr.com/) are two I recommend.

Don't limit yourselves to online services. Find out fax numbers and mailing addresses of your target audiences and send them out that way as well.

Now you're ready to try your hand at writing your own press release. Remember to keep it simple. Keeping it simple, means being direct and specific. 1st Assignment: Write a press release announcing a book signing or release of your next hot new novel.

Shelia M Goss is the ESSENCE MAGAZINE Bestselling Author of My Invisible Husband. With unique storylines, her goal is to create "stories with a twist." Shelia was the recipient of three 2003 Shades of Romance Magazine Reader's Choice Multi-Cultural Awards for her debut novel, ROSES are Thorns, VIOLETS are True. Be on the look out for her next novel--My Three Beaus. Her articles, poetry, and short stories, have appeared in National Magazines such as Black Romance Magazine, Bronze Thrills, InnerCosmetics, and Tribes Magazine. Visit her website at
www.sheliagoss.com or check out one of her blogs: http://myinvisiblehusband.blogspot.com.

PANEL: Magazine Promotion

Welcome to the Magazine Promotion Room

PANEL: James Lisbon, AMAG, LaShaunda Hoffman -SORMAG , Shunda Leigh- Booking Matters

Learn how to promote yourself and your books in magazines.

WORKSHOP: How to do a website on a budget?

How to do a website on a budget?
Shelia M. Goss ©2005 All Rights Reserved.

If you're a published author, soon to be published or even thinking about being published , then you should have a website. No one thought the World Wide Web would be used in the capacity it's being used now. Well, correction, some folks did (smile).

There's no excuse for NOT having a website. If you're unsure of how you want your website to look, I suggest surfing the net. Go to
www.google.com and enter in a few authors names to get an idea.

If you're unable to hire a web designer to create your home on the web, then do it yourself.

If creating a website scares you, then halt. Take a few deep breaths. Breathe. If you have yahoo, AOL or any one of the many other internet providers, then you have access to creating a website. Bravenet (
http://www.bravehost.com/), Angelfire(http://www.angelfire.lycos.com), GeoCities (http://geocities.yahoo.com/), or Homestead (http://www.homestead.com/) offer free or low costing web space with handy tutorials.

As an author, you need to choose a domain name. What is a domain name? It's an identifier or the information you type in your web browser to pull up a website. For example, if you want to pull up the Shades of Romance website, you will enter the domain
www.sormag.com. The most important thing to remember when deciding on a domain name (your new website address) is to choose something that is easy for your current and future readers to remember.

For example, if your name is Jane Doe, then use the domain
www.janedoe.com. There will be instances where your name is already taken and you might have to add an initial or some other identifier. Some authors use there book title as their website address. This is fine if you plan on that being the only book you'll publish or if you can have it forward to your main website (i.e., www.janedoe.com).

Once you purchase your domain name, it's yours for the allotted time. You can buy it yearly or whatever terms you and the provider set up. In the past, I've seen it for as low as $2.95. The price will depend on the web host site you choose.

There are so many sites that offer web services and it's easy to get lost and frustrated while trying to find the one for you. Here's a website that I hope will make it easier for you. The page identifies the web space and price:
http://www.mysitespace.com/compare.asp.

Thank goodness there is software out there that doesn't require you to know HTML. Frontpage is one of them. I use it constantly and it's simple. You can create your page in Microsoft Word and paste it directly into Frontpage. If you have Microsoft Office, Frontpage may already be on your computer.

What should you include on your web site once you've decided on your domain name and web server? At the minimum, make sure the following are included:
Book Information (Title, price, where to purchase your book, sample chapter, etc)
Bio
How to Contact You (Email or contact sheet)
Mailing List
Guest Book
I've been doing my own website for quite some time now. If I can do it, you can too. My website is
www.sheliagoss.com. Take a look around and check out the headings.

One day I'll turn over the reign to someone else, but in the meantime, I'm always trying to come up with different looks. What you see today will probably be different six months from now.

Remember, having your own website doesn't have to cost much, you just have to shop around.

1st Assignment: If you have a website, post it here. If you don't have a website, and at the minimum, sign up for one of the free websites.

2nd Assignment: Visit workshop participant websites and take a look around. Be sure to drop them a note in their guestbook, so the'll know you were there.

Shelia M Goss is the ESSENCE MAGAZINE Bestselling Author of My Invisible Husband. With unique storylines, her goal is to create "stories with a twist." Shelia was the recipient of three 2003 Shades of Romance Magazine Reader's Choice Multi-Cultural Awards for her debut novel, ROSES are Thorns, VIOLETS are True. Be on the look out for her next novel--My Three Beaus. Her articles, poetry, and short stories, have appeared in National Magazines such as Black Romance Magazine, Bronze Thrills, InnerCosmetics, and Tribes Magazine. Visit her website at
www.sheliagoss.com or check out one of her blogs: http://myinvisiblehusband.blogspot.com.

PANEL: Internet Marketing For Writers

WELCOME TO THE INTERNET MARKETING ROOM

TODAY's PANEL:

Sylvia Hubbard, LaShaunda Hoffman, Tanya Bates, Sheila Goss, Vanessa Davis Griggs, Jacqueline Coffey, Lori Soard

Come learn some great internet marketing tips.

Tips will be posted in comments.

Post your questions in the comments section.

Please read the previous comments before you post, so we don’t have duplicate questions.

Please address your questions to a panel member or all panel members.

Promotion - Meet The Author

Shelia M. Goss - is the ESSENCE MAGAZINE Bestselling Author of My Invisible Husband. With unique storylines, her goal is to create stories with a twist. Shelia was the recipient of three 2003 Shades of Romance Magazine Reader's Choice Multi-Cultural Awards for her debut novel, ROSES are Thorns, VIOLETS are True. Her articles, poetry, and short stories, have appeared in National Magazines such as Black Romance Magazine, Bronze Thrills, InnerCosmetics, and Tribes Magazine. Visit her website at www.sheliagoss.com or check out her writer's blog @ http://sheliagoss.blogspot.com.

Monica Jackson – romance author

Marilynn Griffith is wife to a deacon, mom to a tribe and proof that God gives second chances. Made of Honor, the first novel in Marilynn’s Sassy Sistahood series, releases January 2006. Her other credits include Chicken Soup for the Christian Woman’s Soul, Cup of Comfort Devotionals and her Shades of Style series (Revell, 2006). She lives in Florida with her husband and children. To book speaking engagements or just say hello, email: marilynngriffith@gmail.com.

LaShaunda Hoffman – publisher and editor of Shades Of Romance Magazine.
http://lashaunda.blogspot.com

Brenda Coulter's debut novel, the inspirational romance Finding Hope, won both a HOLT Medallion and a Romantic Times Reviewers' Choice Award. Her second book, A Family Forever, will be a March 2006 release from Steeple Hill Love Inspired. Brenda maintains an extensive website: http://brendacoulter.com includes not just information on her and her books, but tips for aspiring authors and even a section on preparing and serving afternoon tea. She also blogs daily, dishing on "writing, life, and the writing life" at
http://brendacoulter.blogspot.com No rules. Just write.

Shunda Leigh is the Editor-in-Chief of Booking Matters Magazine, established with her husband Jamill in November 2002. The magazine chronicles and promotes African American authors, bookstores, book clubs and businesses. Memphis Black Writers and Southern Film Festival awarded Booking Matters Magazine “Best New Literary Magazine” for 2004. Shunda is no stranger to the literary arena as she is also the founder of Circle of Friends II Book Club in Atlanta, which is one of the largest book clubs in the country. Shunda led the efforts of her book club’s appearance on The Oprah Winfrey Show and continues to promote literacy by hosting monthly literary events.

She has been featured in Upscale, the Atlanta-Journal Constitution, Rejoice and countless newspapers. Shunda’s fully sponsored wedding was featured on ABC News Primetime’ in June 2004 and will also appear in an upcoming issue of Modern Bride Magazine. Shunda is also featured in the 2005 Edition of Who’s Who’s in Black Atlanta. (which is being released December 14, 2004)

Shunda is a native of Valdosta, Georgia and currently resides in Decatur, Georgia.

Shunda is happily and permanently married to business partner Jamill. They are the proud parents of two teenagers, Courtney and LaMonte’.

Sylvia Hubbard - Author of Stone's Revenge just newly re-released @ http://lulu.com/StonesRevenge and coming soon the fall of 2005, erotic suspense, Drawing The Line. http://SylviaHubbard.com - Free Novels Available on the site!

Vanessa Davis Griggs is the author of PROMISES BEYOND JORDAN and the sequel entitled WINGS OF GRACE published by BET BOOKS/New Spirit. Visit her at her Web site: www.VanessaDavisGriggs.com

Jacqueline Coffey – President of www.blackbookpromo.com

Lori Soard – romance author

Thursday, October 27, 2005

OCTOBER 28 - THE BUSINESS OF WRITING

DAY SIX - October 28 - THE BUSINESS OF WRITING
Below are the links to today's conference agenda.
PANEL: I got the call now what?
PANEL: Working With an Agent
WORKSHOP: Ten Steps to a Great Pitch - 1
PANEL: Tips to stay disciplined
PANEL: PR Pizzaz
WORKSHOP: How to Make The Perfect Pitch - 2
WORKSHOP - The A, B, Cs of Plotting - Michelle Monkou
The Business Of Writing - Meet The Authors
DAY FIVE - October 27 - SELF PUBLISH AGENDA

Below are the links to today's conference agenda.

DISCUSSION - Teaching
PANEL - POD vs Self Pub
WORKSHOP - Self Pub Part One
DISCUSSION - Ebooks
WORKSHOP - Self Pub Part Two
PANEL - Non- Fiction Writing
SELF PUBLISHING - Meet The Author
To visit other pages for this week click the
Did you miss a panel? Below are the links for the panels. I can’t promise they will answer but if you have a question for the panel member and missed the day of their panel. Here’s where you can ask questions.Panel members feel free to answer questions.

SUNDAY

MONDAY

TUESDAY

WEDNESDAY
THURSDAY

PANEL: Working With an Agent

WELCOME TO THE WORKING WITH AN AGENT ROOM

TODAY'S PANEL IS:

Bettye Griffin, Sophfronia Scott, Dara Girard, Vivian Beck,
Lyn Cote, Sha-Shana Crichton


Want to learn about working with an agent. This is the place to be.

Post your questions in the comments section.

Please read the previous comments before you post, so we don’t have duplicate questions.

Please address your questions to a panel member or all panel members.

WORKSHOP: Ten Steps to a Great Pitch - 1

Ten Steps to a Great Pitch

By Dara Girard


You’ve finished a book and now you want to sell it to a publisher. What’s the first thing you need to do? Come up with a great pitch. A well crafted pitch can be used in your query, synopsis or at your agent/editor appointment at a conference. With a good pitch you won’t be tongued tied when asked about your book.

Here are ten steps:

1. Know your product. Is your book a romantic suspense, fantasy or cozy mystery? Even if you write a sci-fi fantasy mystery romance, if you want to sell it, find a category it can fit into. Yes, there are crossover books that can’t fit into a category that sell, but make it easy on yourself and give it a category. Publishers and bookstores will likely give it one anyway.

2. Know your audience. Who are your potential readers? They are not ‘Everyone who likes a good romance novel’ or ‘Anyone who likes mystery.’ Every genre has a subgenre and readers that are loyal to them. Perhaps your potential audience likes mysteries with a bit of humor or young women living in the city or traditional stories with a little family drama.

3. Know your editor/agent. Will they like what you are selling? Does the publishing house need more Regency or has that line closed due to low sales? If you meet an agent that is interested in sweet romances, don’t sell them romantica. Know what they need that way you can approach them as though you’re doing them a favor.

4. Know what a great pitch looks like. How? Read the TV guide. See how they sell a two hour movie in about two lines. Then go to your bookshelf and read the back of books or the inside jacket copy and see how the publisher sells the story.


5. Know how to build your pitch. Now that you know the preliminary steps, let’s build your pitch. First know who the story happens to? Describe that person in one sweep with a well placed cliché. For example describe your heroine as a kind hearted nurse or your hero as a burned-out cop. Or you can describe the character in a blank statement. David is tired of money hungry women. Laticia is sick of men who are only interested in her good looks. Clichés resonant with readers use them to your advantage.

6. Know your setting. Your setting is both the place and where the hero or heroine is at the beginning of the story. Is your story in the present day or the future? Has your hero just suffered a divorce? That gives an emotional setting to your story.

7. Know your conflict. What does your hero/heroine desperately want and why can’t they get it? Does your hero want to get something (a house/ land/ woman) that belongs to someone else? Does your heroine want to prove that she’s an independent woman in a culture where women must depend on men?

8. Know your theme. Your theme is not your plot. Your theme is the ‘moral’ message you want your readers to leave with (i.e. Greed is bad, love conquers all etc…)

9. Know your resolution. How does the story end? Does the hero/heroine achieve their goal?

10. Start using it. Practice on your friends or your critique group. If it doesn’t get the response you want, revise it. Remember your pitch may follow you from your first sale to your first interview and your website, so make sure it generates interest.

Conclusion:

The following is a pitch for a contemporary romance. Look for the Character, Setting, Conflict and Resolution.

“When 32 year old Isabel Lawson’s husband deserts her, she closes her heart and focuses on her career. World-weary gardener Martin Weber wants to get away from his past and is glad to be hired by Lawson’s Landscape so he can start building a new future. However, when these two damaged souls work together to landscape a wealthy widow’s garden, they learn that true love can bloom in the toughest climate.”

It could still use a bit of tightening--I know--I just wanted to give you an idea of how you can sell a story in a few seconds. Get your pitch right and soon you’ll see your book on the shelves. Good luck!

© 2005 Dara Girard. All Rights Reserved.

PANEL: Tips to stay disciplined

WELCOME TO THE TIPS TO STAY DISCIPLINED ROOM

THE PANEL TODAY IS: Stacy Hawkins Adams, Sophfronia Scott, Electa Rome Parks, Michelle Monkou, Lori Soard

Learn about how to stay displine.

Tips are posted in comments.

Post your questions in the comments section.

Please read the previous comments before you post, so we don’t have duplicate questions.

Please address your questions to a panel member or all panel members.

WORKSHOP - The A, B, Cs of Plotting

A, B, Cs OF PLOTTING
by Michelle Monkou

This mini-session is designed for the beginner storyteller. There are marvelous resources for help with the advance skillset that do not require a reinvention of the wheel. For the young (in experience, not age) writer who has the passion to give the characters or story in her head a chance to breathe and grow, this session is for you.

Basic Tools:

Characters – always a good thing in any story. There are books on characterization that can guide you on creating three dimensional characters. Based on the story, you will need a hero, heroine – these are the winners, whether it is a materialistic win or victory after a gut wrenching emotional journey.

The bad guy/girl – remember not to make the character bad, just for the sake of being bad. Think about current day court cases about a serial killer. You find out about their troubled childhood that may give way to their current criminal adulthood.

After creating the major characters, who will be the minor players? Although they are secondary, they must still serve a purpose. There is no room for walk-ons to a scene. Any friends or family (characters) members who desire a role must come prepared to work that scene and move it forward to the ultimate goal.

Setting – the location, time period, or region is important to know early on. If it is an historical piece, research customs, clothing, culture, etc. This cannot be ignored. Even in contemporary stories, proper research may need to be conducted to show differences between someone living in urban New Jersey to someone living in the wilds of Montana. Setting is the character in the story that may not have a vocal cord, but still has a voice that sets a tone. Give this element its due.

Goals – once the characters and their backgrounds are in place. The goals should be developed. There are two types of goals - internal and external. The internal goal is the soft stuff. Think inner feelings, desires, secret wishes. It can conflict with the external goals. Example: A woman struggles to be independent after her messy divorce. She will rely on no one ever again.

The external goal must be tangible, concrete, material. It should have a level of urgency so that the character has to complete these tasks, in order to achieve success. Example: A woman borrowed money from a loan shark. She needs a job, any job, to get the money before he comes after her and her little boy in 48 hours.

Tension/Conflict/Obstacles – Think about the music score to a movie, about the ups and downs, the crashing cymbals. The score can heighten the emotion, give forewarning, escalate the tension of a scene. Well, each crisis, challenge, attack on the goals of the characters add layers of drama. Adding drama for drama sake irritates the reader. You must stretch the characters so they develop and continue on their journey to being a better person or a worse person. But they have to change. The obstacles provide the legitimacy of that change.

Resolution – all good things come to an end. You must wrap up loose ends. Even if the story will have a sequel, the writer still has to provide a certain amount of closure for situations and characters. Think about a thunderstorm that begins with small rumbles and sporadic lightning. Then it builds to a climatic point when, even as an adult, you are ready to run for cover as the thunder shakes the room. Once the fury has been spent, the storm winds down, until it is simply a soft rumble with the sun peeking out from behind the clouds.

Advisories:

Plots are not made in stone. Your plot is designed to get you started, provide a general path. However, allow the story to unfold and head off a path that you not have intended. Your re-write is the time for you to reshape, delete, or accept what you have written.

Know your genre. If you are writing mainstream fiction, then you are not under certain constraints that may be specific to a genre. However, if you’re writing romance, make sure that there is a romance. If you writing mystery, make sure there is a mystery. In other words, do your homework by reading and researching the genre you have selected as your medium.

Don’t lock yourself to one style. Sometimes a writer claims one style to plot even though they may not ever have written a book or they used one style to plot the only book they wrote. It might take several attempts to determine what is your style. Are you the type to plot with a loose framework and then fill in the details as you write? Are you the type to plot down to the smallest detail about the type of trees in a particular scene? Or are you somewhere in the middle? There is no right way. Your best friend, successful author A, may have style that works for her, but doesn’t necessarily work for you.

Other creative outlets may hold the key. Read plays, look at movies, study poems. Study how the person got their point across to the reader. What techniques did they use? What emotions did it elicit? My favorite task is to review the behind-the-scenes of a movie, which is provided on most DVDs. When you hear the director’s or screenwriter’s perspective of the story and why he used certain techniques, you get a better understanding of how to plot and reveal the story’s nuances over a period of time.

Plotting Ideas:

Magazines – doesn’t matter if the magazine is gender or relationship focused. It can be a magazine on architecture for selecting the perfect house or setting. Vacation magazines like AAA’s monthly magazine provide great locations, along with the history and key tourist spots.

Newspaper Articles – Gives the everyday reports on politics, lifestyle, and crime.

Asking what if – take a tried and true story or idea and turn it up side down. Maybe switch roles or occupations of the characters. Introduce new and interesting characters at odd moments. Think how you react when you hear juicy gossip. Those are the elements you need to copy to make your “what if’s” explode off the pages and keep readers turning the page.

Plotting Partners – this is different from critique partners or critique groups. A plotting partner is specifically for this task. The person is your sounding board with no censoring. Nothing is too outrageous. I’ve gone on weekend plotting sessions where we book a hotel room and develop a plot from start to finish in a weekend.

Fairy Tales – Invest in a couple fairy tale books or children’s books. They all have great themes which occur in adult stories. However the stories, as basic as they appear, can provide the first spark in developing your plot. Take Red Riding Hood, Sleeping Beauty, Snow White, etc., and change a character, the setting, the time period. Add a mother, father, jealous spouse. Change the genders. Now think how these stories take on a new flavor that can get your creative juice flowing with a vibrant story.

Additional Resources:

Prescription For Plotting by Carolyn Greene. This is a work manual that has comprehensive explanation and exercises to assist with plotting. The manual is sold on her website at www.carolyngreene.com.

Techniques of a Selling Writer by Dwight Swain. Covers more than plotting, but all helpful in the overall goal of telling a good story.

The Screenwriter’s Workbook by Sid Field. Easy to understand instruction on writing and developing screenplays. Information is also transferable to the writing fiction.

Michelle Monkou
Island Rendezvous (Sequel to Finders Keepers) - April 2006, BET Books
Sweet Surrender - September 2006, Kimani Press

PANEL: I got the call now what?

WELCOME TO THE I GOT THE CALL NOW WHAT ROOM

YOUR PANEL TODAY IS: Shirley Hailstock, Sophfronia Scott, Lyn Cote

Have you ever wondered what happens after you receive the call you've been waiting for?

Learn what you need to do after you receive The CALL.

Post your questions in the comments section.

Please read the previous comments before you post, so we don’t have duplicate questions.

Please address your questions to a panel member or all panel members.

PANEL: PR Pizzaz

WELCOME TO THE PR PIZZAZ ROOM

OUR PANEL TODAY IS:

Michelle Buckley, LaShaunda Hoffman, Belinda Williams, Pam Perry, Dee Stewart, Lori Soard

Public Relations is an important part of writing. Come learn about what to do and not do in your PR campaign.

WORKSHOP: How to Make The Perfect Pitch - 2

Getting Ink: How to Make The Perfect Pitch

Perfect Pitch Communications — Michelle Buckley, Media Consultant

THINGS TO REMEMBER WHEN PITCHING
YOUR BOOK OR YOURSELF TO THE MEDIA:

Know your targets.

Read publications, study sections/departments, target specific reporters or reviewers and watch or listen to programs you think will be appropriate for your book/message. Make sure the media outlet’s audience is a nice fit for the book you’re promoting. (For example: if your book is straight urban lit, don’t contact a gothic sci-fi pub. Don’t assume a book editor is the way to go — often lifestyle editors/reporters will give you more, less critical coverage.)

When in doubt about communicating — don’t be afraid to ask! Learn if contacts prefer mail, faxes, calls or email for initial contact. How should follow-up be handled? Make sure you call and send requested information when you say you will.

Know deadlines and always be respectful of them. If you’re doing signings and events, make sure you give the media plenty of notice. Begin contacting them weeks in advance.
When you do contact the media, remember to be enthusiastic, helpful and assertive, never rude, dismissive and overly aggressive. Also, avoid excessive hyperbole, don’t oversell your story, book and don’t be dishonest.

Always remember: how you interact with a reporter/editor today can affect your public relations efforts and sales tomorrow. (Reporters have long memories.)

Take advantage of free and inexpensive online press release distribution services like prweb.com and blackpr.com.

Know your story.

Without being too gimmicky or annoying, do what you can to make your presentation stand out. (The media gets tons of inquiries a day). Don’t just ask them to write an article about you and your book. Make sure your book’s message (and as a result your pitch) reflect one of the 7 key news hooks: (humanity, conflict, immediacy, locality, celebrity, novelty, timing). Is your message relevant/timely? Can it be tied to local/national issues or news/trends?

Educating the media is key. Don’t always assume the media already knows about you and your book. Have a standard media kit that includes a press release about the book, your bio, a photo of you, a fact sheet about key book themes (if appropriate), a copy of the book or sample chapters, book art, sample interview questions and an endorsements page.
Make your story compelling. Bring information to life. Use anecdotes, examples, controversial statements, excerpts, and facts/figures to tell your story.
Develop 3-4 key message points that will resonate with a given audience. The more you can show how your book will impact a media outlet’s audience the more likely they are to cover it.

MEDIA INTERVIEW REMINDERS:

Remember interviews are more than just fun conversations. They really serve a
purpose. Stay focused on what your purpose is and don’t let reporters influence that.

GET IN ALL THE MESSAGES YOU WANT, ANY WAY YOU CAN.

Always ask yourself: “how can I present myself or what can I say to make someone want to support me, buy my book, come to my event, etc?” Always have at least three messages you want to get across and hammer away at them!

Think like a reporter. Your job is to make their job easier. Start by giving them headlines and the big picture. Discuss possible visual elements. Avoid one size fits all stories. Help the media share in your vision. Make them feel like they’re getting a “scoop”. When possible, develop creative and unique pitches and angles crafted specifically for each media outlet’s audience.

Remember as a writer, you are a business. You have a skill base and skill set that can really help make a difference in the lives of people. Your book can create for people a wonderful reading experience and YOU ARE THUS PROVIDING A GREAT SERVICE.

Don’t be afraid to tell the reporter upfront what your goal is – more sales, better event attendance, etc. This can be done in a very informal way during introductions, before the interview even starts. My philosophy – you don’t usually get what you want/need unless you point-blank ask for it.

They may not always be able to accommodate you and may tell you – “we’re about news and not free promotion.” If that’s what they say don’t take it personally, don’t get an attitude and don’t let it affect the interview.

On the other hand, they could focus on exactly what you want, and you could wind up with mind-blowing coverage.

Remember, the editing process can get in the way of how you come across. So be very aware of that.

Always, where appropriate, talk in first person. Use a very personal perspective as much as possible. It’s all about you – make sure to use I (not you/we/they) when referring to the industry.
Talk in complete sentences – even when the interviewer seems rushed, or when you know you don’t have a lot of space/time to fill. It helps maintain context.
Don’t be too jargony or technical, if you can avoid it. Make sure the way you talk about your book is appropriate for the audience. Use snappy and compelling sound-bite language. Be brief, but thorough and always be clear on why a given audience will care about what you have to say.

KEEP IN MIND ALL REPORTERS HAVE AN ANGLE ON HOW THEY WANT THE STORY TO BE. THIS OFTEN COLORS THEIR APPROACH. YOU TOO, MUST HAVE AN ANGLE. REMEMBER WHAT YOU WANT TO GET ACROSS.

The Business Of Writing - Meet The Authors

Shirley Hailstock – is the author of seventeen novels and novellas. She has received numerous awards for her work, including the Holt Medallion, the Barclay Gold Award and the Waldenbooks Best-selling Romance Award. Romantic Times awarded her a Career Achievement Award and one of her books made the Top 100 Romances of the 20th Century list.

Shirley's books have appeared on Blackboard and the Library Journal Best Seller Lists. She is a past president of Romance Writers of America.

Lyn Cote - Inspiraional Romance Author


Bettye Griffin - Romance Author

Dara Girard - is the author of How to Bounce WhenYou Want to Shatter: Steps to Resilience in the Writing Life and three novelsfor BET/Arabesque. Her fourth book, Illusive Flame, is scheduled to be releasedMarch 2006. You can visit her website daragirard.com for more articles and linksfor writers.

Vvian Beck - has twenty years of professional experience as a literary agent, editor, bookseller, and freelance writer. She has traveled extensively attending conferences and conducting workshops on many aspects of the publishing industry. Vivian works closely with authors and editors building a productive working relationship to guide your work toward the most appropriate markets. Known for her friendly, professional manner, Vivian combines the personal and hands-on attention that corporate-style agencies cannot offer.

Vivian was formerly a literary agent with the Ferguson Literary Agency and is a member of the Romance Writers of America. She co-founded a RWA chapter where she served three terms as president. Vivian judged in the RWA Golden Heart Contest, and gave agent appointments at the last three RWA national conferences. An avid reader since the age of four when her grandmother taught her to read, Vivian says it is her love of books that drew her to the publishing industry.

Vivian advises you to approach your writing as you would any other profession. Commit to do your very best; your priority should be to get your manuscript read and published.

Sha-Shana Crichton - president, is publishing and entertainment attorney. She counsels artists, authors, musicians, photographers, and other creative entities regarding drafting, and negotiating contracts, copyrights, wills, small business management, permits and employment issues relating to intellectual property, such as work-for-hire and non-competition clauses. Sha-Shana frequently lectures on negotiating publishing contracts and author-editor-agent relationships. She is licensed to practice in New York, New Jersey and the District of Columbia and is a member of the Litigation and Arts, Entertainment and Sports sections of the DC Bar.

Sha-Shana is a graduate of Howard University School of Law (J.D. cum laude); the University of the West Indies (B.A. Hons.); and the Instituto Benjamin de Tudela, Navarra, Spain. She is a former managing editor of the Howard Law Journal and has edited several articles and books, including Constitutional Law: Analysis and Cases by Ziyad Motala and Cyril Ramaphosa (Oxford University Press, 2002). She is the author of Distinguishing Between Direct and Consequential Damages Under New York Law in Breach of Service Contract Cases, Howard Law Journal 2002. Sha-Shana is fluent in Spanish and French.

Stacy Hawkins Adams is the author of "Speak To My Heart," which was selected
as 2004 Best New Multi-Cultural Christian Fiction by Shades Of Romance readers. Her second book, a sequel, will be released in April 2006 and is titled "Nothing But The Right Thing." Stacy is also a journalist and motivational speaker. For more information, stop by her website:
www.stacyhawkinsadams.com

Electa Rome Parks, one of the rising stars in contemporary fiction, is the author of the best-selling novels THE TIES THAT BIND and LOOSE ENDS, which were originally self-published through her own company, Novel Ideal Publishing and Editorial Services Company, a company now dedicated to quality editorial services.

After successfully self-publishing her debut novels, New American Library, a division of Penguin Group, bought the rights. Mrs. Parks signed a three-book deal with New American Library. Her first novel, THE TIES THAT BIND, was re-released in October 2004, and LOOSE ENDS was re-released in November 2004. Both books were immediately chosen as Black Expressions Book Club selections and embraced as Books of the Month by book clubs across the country. A third manuscript, ALMOST DOESN'T COUNT, which was immediately chosen as the main selection for Black Expressions Book Club, was released in August 2005.

Recently, Electa signed her second book deal with New American Library/Penguin Group. Her upcoming project is: LADIES NIGHT OUT (NAL, 2006).

Electa Rome Parks currently lives outside Atlanta, Georgia, with her husband and two children. With a BA degree in marketing and a minor in sociology, she is presently following her true passion and working on a fourth novel.

Sophfronia Scott
, “The Book Sistah”, has over fifteen years of experience as a professional writer. She honed her craft working with some of the best (and toughest) editors in the world during her career at “Time” and “People” magazines.

She published her first novel, “All I Need to Get By” with St. Martin’s Press and Sophfronia was hailed by no less than Professor Henry Louis Gates, Jr. as potentially “one of the best writers of her generation.”

Sophfronia holds a bachelor’s degree in English from Harvard. She is also a professional life coach, having graduated from Coach U. She has coached dozens of clients to satisfying life and career decisions through her company, Creative Coaching Plans. Sophfronia is a member of the Author’s Guild, the Women’s National Book Association, the International Coach Federation, and the Association of Writers and Writing Programs.

As “The Book Sistah” Sophfronia has created a resource for aspiring authors and offers teleclasses, reports and private coaching to guide writers towards achieving their goals. She may be contacted at sscott@thebooksistah.com or 866-834-3942.

Michelle Monkou - Romance Author

Lori Soard - Romance Author


Michelle Buckley - Bulletproof Soul, (Urban Books, May 2005), is Michelle Buckley's first novel. As a result of her debut writing effort, Black Issues Book Review Magazine included her in the July/August 2005 issue as an up and coming African American author. Her book has also been selected as an “Editor’s Pick” for blackexpressions.com

In addition to her first novel, in 2000, Michelle was included in the Essence #1 bestseller, Souls of My Sisters (Kensington), a collection of real women's stories. Michelle's essay, Young, Gifted & Dying, was about a friend that died of cancer in her early 30s.

Buckley formerly worked as a reporter, a publicist for Hallmark Cards and a freelance writer for Black Enterprise. When she’s not working on fiction and screenwriting projects, she manages her own Kansas City freelance writing and media relations company, Perfect Pitch Communications.

LaShaunda Hoffman - Publisher of Shades Of RomanceMagazine.

Belinda Williams -

Pam Perry - Vice President, Director Public RelationsMinistry Marketing Solutions, Inc. Creator of Chocolate Pages www.MinistryMarketingSolutions.com

Dee Stewart

DAY FIVE - SELF PUBLISH AGENDA

Below are the links to today's conference agenda.

DISCUSSION - Teaching
PANEL - POD vs Self Pub
WORKSHOP - Self Pub Part One
DISCUSSION - Ebooks
WORKSHOP - Self Pub Part Two
PANEL - Non- Fiction Writing

To visit other pages for this week click theAGENDA

Did you miss a panel?


Below are the links for the panels. I can’t promise they will answer but if you have a question for the panel member and missed the day of their panel. Here’s where you can ask questions.Panel members feel free to answer questions.



Welcome To SORMAG's Blog

About Me

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I believe in promoting authors and their books. Let me introduce you and your books to online readers.

I'm also a happily married mother of three who's trying to break into the Christian writing field. The writing road can be rocky.

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Contact me at:lchwriter@gmail.com

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